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Absolutely on Music: Conversations, by Haruki Murakami Seiji Ozawa
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A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and the former conductor of the Boston Symphony Orchestra. In Absolutely on Music, internationally Haruki Murakami sits down with his friend Seiji Ozawa, the revered former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bartók to Mahler, and from pop-up orchestras to opera. They listen to and dissect recordings of some of their favorite performances, and Murakami questions Ozawa about his career conducting orchestras around the world. Culminating in Murakami’s ten-day visit to the banks of Lake Geneva to observe Ozawa’s retreat for young musicians, the book is interspersed with ruminations on record collecting, jazz clubs, orchestra halls, film scores, and much more. A deep reflection on the essential nature of both music and writing, Absolutely on Music is an unprecedented glimpse into the minds of two maestros.
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Product details
Hardcover: 352 pages
Publisher: Knopf; First Edition, Second Printing edition (November 15, 2016)
Language: English
ISBN-10: 0385354347
ISBN-13: 978-0385354349
Product Dimensions:
5.3 x 1.2 x 8.3 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
78 customer reviews
Amazon Best Sellers Rank:
#245,973 in Books (See Top 100 in Books)
Classical music has scores with composers' notes and instructions; yet each performance, each conductor, each orchestra creates a different result. Soloists especially make a career out of their unique approach to the music. Novelist Haruki Murakami and conductor Seiji Ozawa, battling cancer, had a series of conversations on such subjects, as well as on Ozawa's life as a music director. This book, in translation, presents the interviews conducted over several years. Murakami happens also to be an avid collector of classical albums, CD and LP, and besides an extensive gathering of Ozawa's own recordings, he has multiple renditions of particular Beethoven, Brahms, Mahler, and Berlioz pieces, which he played to further the discussion. Good familiarity of these core classical composers is necessary to appreciate the topics. No scores are presented but a website is given with samples of the compositions. For the classical music enthusiast, the easily and quickly read book provides insights into the art and also the duties of the conductor. Ozawa had training with Leonard Bernstein and Herbert von Karajan and subsequently has led numerous orchestras. I personally remember his youthful years as conductor of the San Francisco Symphony after Josef Krips. The entertaining and informative talks explain the ways of conducting and the interactions with musicians, and the extensive presentation on Mahler adds a new dimension to listening to his symphonies. Murakmai proved to be a deep listener, who while not a musician himself, has an ear for subtle differences in performances of soloists and the orchestra at large. Thus, the two men could delve into specifics. The magic of a brilliant performance remains a mystery, but the reader will have gained greater understanding of its components.
I am guilty of not finishing this book. The music conversations get a little drifty and rambling. It seems you'd almost have to be listening to the music at the same time and reading their discussions. However, I enjoyed the concept of the author interviewing the musician, and comparing their different passions and hard word. For example, each getting up at 4am to read scores or to write. There are some real gems too, like "a musician finds their flavor as they age." So True.
Murakami is also a writer that rarely fails; he has written the conversations he had with Seji Ozawa, definitely the most important figure on Western music from Japan. But the conversations also are full of love (for Ozawa), and understanding and sympathy. Ozawa comes out bigger...and so does Murakami. Both come out of the book well,very well.
Fascinating. never read anything like it. Murakami is such a fan, and such a good asker of questions; Ozawa is such a regular guy (considering he is a great conductor) and very good at reflecting on what he has played and what others have played. It is great that in this era we can listen to many of the performances mentioned without requiring an enormous record library. The book is entertaining and absorbing even for some one without extensive knowledge of classical music.
I've read most of Murakami's work, and I have great appreciation and respect for it. Although I have enjoyed this particular work, it's really going to be most appreciated by serious students of music, which I am not. Kind of beautiful insights into the minds of the real characters, but if you are looking for a novel, I point you toward Wind Up Bird, or Norwegian Wood, Kafka on the Shore, especially for anyone who has never read this author. He's wonderful and should get a Nobel someday.
What a remarkable lyrical open easy read. I have encouraged anyone who cares about classical music to read it. It's a gem!
Nice insight if you are classical music lover. Conversation is between two great maestros in two different art world which makes it even more intriguing.
Conversations between the Author and Maestro are lovely. They pull you in to the past the emotion,the feel and thought given to the music they discuss. Using my prime music, i listen to the music they talk about too. I love this little book. Note: Mr.Murakami stated that Maestro Maurice Peress was of Puerto Rican American decent.p 130. Paperback. I understood him to be of immigrant Jewish decent.
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